The Sincerest Form of Flattery

by Larissa Venzie & David Morneau

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about

When presented with the opportunity to compose a new piece for marimba in 2004, I chose to pay homage to J.S. Bach. I often would go to Bach when I was feeling uninspired or creatively drained. His scores are a source of wonderment for me. He was a master of style and counterpoint. He was efficient with his materials. And he gave his music an intensity and energy that belie its complexity. His is a music I aspire to, not in style, but in construction. This suite then is a reflection on Bach’s music and how it has influenced my own work.

Formally, I modified the traditional Baroque suite by substituting a ballad for the courante and a waltz for the sarabande. Each movement celebrates a different aspect of Bach. The Prelude is the most like his music in terms of style and structure. It is built from a continuous series of arpeggiated chords, which move in both predictable and unexpected ways throughout the large-scale tonal structure. The Allemande is presented in a recitative style, expanding simple cadential formulas into virtuosic flourishes and transforming the regular rhythm of this dance into a dialog between contrasting styles and registers. The Ballad and the Waltz are companion pieces, sharing a motif and forming a complete motion through harmonic space. The Ballad exploits the beautiful sound of softly rolled chords, particularly well suited to the marimba. The Waltz, by contrast, is very pointed and dry, bursting with sly sarcasm. It proceeds, without stop, directly into the Gigue. In this final movement, the motives are quotes from Bach’s cello suites. They are piled together in the midst of constantly escalating momentum, hurtling together toward a virtuosic climax.


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Living quietly deep in the heart of the Appalachian Mountains of Virginia, Larissa Venzie is an musician of the highest caliber and is recognized for her spell-binding musical interpretation, which shines in her performances. While still a high school senior, Larissa inspired musician Jack Scott to compose the marimba solo “Fantasie in Eb Minor” which she premiered in 2000. She then went on to earn her Bachelors Degree in Percussion Performance from Ithaca College in 2004 and returned to earn her Masters Degree in Percussion Performance in 2007.

Larissa specialized in the performance of the marimba under the guidance of the world renowned marimba artist Gordon Stout; resulting in a long standing personal and professional relationship. In 2002 Stout wrote “Laruci in the Sky, a marimba duet”, for Larissa and a fellow student. In 2007, Larissa premiered Stout's composition Four Dances for Marimba which is dedicated to her. In the same year, Stout acknowledged Larissa’ s exceptional talent by recording “Laruci in the Sky” with her. This recording is now available on his recently released album Welcome to Stoutland.

After completing her formal education, Larissa realized that it was time for her to return to the peace and splendor found in the Virginia mountains. She continues to share her love and passion for music by performing across the state and is a member of a select group of artists that makes up the Virginia Commission for the Arts Performing Arts Tour Directory. In recent years Larissa has given numerous recitals all over the state. She has been invited to perform for Virginia Commission for the Arts events including the women's showcase Minds Wide Open in Galax,VA in 2010 and as a solo recitalist as part of the Virginia Highlands Festival in 2008, 2010, 2012 and 2015.

In addition to performing, Larissa has focused on recording, engineering and producing her music. In 2012, Larissa released her debut album Neshamarimba and is currently working on a collection of six popular lullabies that she has adapted to the marimba. Larissa’s music is available at www.larissavenzie.com

credits

released March 12, 2015

composed by David Morneau
performed and recorded by Larissa Venzie

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about

David Morneau New York, New York

David Morneau is a composer of an entirely undecided genre. Described by Molly Sheridan as a "shining beacon" of inspiration, his diverse work illuminates ideas about our culture, issues concerning creativity, and even the very nature of music itself. His eclectic output has been described variously as "elegantly rendered", "happily prissy", "impressive", "unusual, esoteric, and offbeat". ... more

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